Two months to go!
“Don’t it always seem to go / that you don’t know what you’ve got till it’s gone” – so sang Joni Mitchell in ‘Big Yellow Taxi’, way back in 1970. Seems appropriate about enterprise-architecture too… A quick recap about what’s …
Aggregated enterprise architecture wisdom
“Don’t it always seem to go / that you don’t know what you’ve got till it’s gone” – so sang Joni Mitchell in ‘Big Yellow Taxi’, way back in 1970. Seems appropriate about enterprise-architecture too… A quick recap about what’s …
Yes, I’ll admit it: that whole ‘retirement’ thing in the previous post was a euphemism for “Goodbye, ‘enterprise’-architecture, and (no) thanks for all the (lack of) fish”. Oh well. Yet where does this take us? Over on LinkedIn, Michael Cooke kindly asked …
Yikes! Just realised that it’s only three months from now that I’ll be seventy years old! Time to think about plans for retirement… yay! Though those plans are going to have to be kinda constrained, because, to put it bluntly, …
How far can general principles of asset management be applied to data? In this post, I’m going to look at some of the challenges of putting monetary or non-monetary value on your data assets.Why might we want to do this? There are several reasons why p…
Beyond money. It’s how most of us already run the economics of our own households. It’s how most of us already run most of our day-to-day interactions at work. It’s how perhaps most of us would already aim to interact…
In the previous two posts in this series on background behind futures for enterprise-architecture (see video), we explored the idea of a focus on value, rather than money, as the anchor for our architectures; and then set out to imagine a world…
After the previous post, we’re left with a question to explore: Does money really make the world go round? Or would our world actually be better without it? Let’s put it to the test… We know already that money doesn’t…
As enterprise-architecture expands outward (see video) to a much broader scope and scale (see video), we’ll need a different kind of anchor for the architecture itself: less on means such as IT or money, more on aims, ends and purpose. In short, a…
One of the interesting dynamics of the service economy lies in the dialectic opposition between open and proprietary. I have mentioned some useful conceptual models in previous posts: Amin and Cohendet have proposed a model that classifies capabilities…
We’re two days away from what will almost certainly be one of the greatest blunders ever to impact the US, and possibly the world as well. Here in Britain, we have a similar blunder that is fast approaching its endgame.…
Popped over to Turin this week to give a presentation at a seminar on the Future of Manufacturing.
A lot of the other presentations focused on the technology (3D Printers, Cyber-Physical Systems, Internet of Things), so I wanted to look at the broader economic picture. I drew some inspiration from a recent interview with the French writer Jacques Attali, who predicted the crisis in the music industry.
“For Attali, music is not simply a reflection of culture, but a harbinger of change, an anticipatory abstraction of the shape of things to come.” (from a review of Attali’s 1985 book Noise)
Attali now says manufacturing will be hit by an identical crisis – this time caused by 3D printing. Apparently some spare parts have already started to appear on pirate websites. Thus instead of paying the manufacturer for a spare part, you might be able to download and print it yourself. Given that many manufacturers sell their products at low margin, in order to make money from spare parts and maintenance, this could seriously disrupt the economics of manufacturing.
By the way, making money from the consumable part of the product is a very old idea – business schools usually attribute the idea to Gillette’s strategy of giving away the razors in order to sell the blades, although Randy Picker argues that the history of Gillette’s innovation was a bit more complicated than the usual story.
There are two possible responses to this challenge. Firstly a shift from the cost of the fabrication to the cost of the materials. The materials used by 3D printers are very expensive compared with normal material. And secondly, designing the whole product to frustrate the use of generic spare parts.
We can see both of these tactics in the world of 2D printers. Printers for home use are really cheap, but the replacement ink cartridges cost almost as much as the printer. Printer ink is the most expensive liquid most people ever buy – much more expensive than good champagne. Or for that matter, human blood. (Not that I’ve ever needed to buy any, thank goodness.)
Which brings us to the second tactic. Yes you can refill ink cartridges or use generic replacements. But the printer can be equipped with software to detect and frustrate this, degrading its performance and efficiency when it detects a third party or refilled cartridge. As we discovered in the Volkswagen “defeat device” scandal, the embedded software in any product may be designed to serve the commercial interests of the manufacturer rather than the consumer.
Manufacturing is shifting away from products (including spare parts) and towards services. Instead of trying to sell you overpriced tyres, the car manufacturer must make sure that only its accredited partners have the software to balance the wheels properly. In other words, not just architecting the product or even the process, but architecting the whole ecosystem.
And of course, music the harbinger. Famous popstars used to do free concerts in order to sell more albums. Now they might as well give away the albums in order to sell more concert tickets.
But we’ve been here before. Attali makes the point that when musicians in the 18th Century – like the composer Handel – started selling tickets for concerts, rather than seeking royal patronage, they were breaking new economic ground. They were signalling the end of feudalism and the beginning of a new order of capitalism.
Related Posts
Defeating the Device Paradigm (October 2015)
Other Sources
Alex Hudson, Is digital piracy possible on any object? (BBC Click, 9 December 2013)
Randy Picker, Gillette’s Strange History with the Razor and Blade Strategy (HBR Sept 2010)
Sam York, The pop star and the prophet (BBC News Magazine, 17 September 2015)
Popped over to Turin this week to give a presentation at a seminar on the Future of Manufacturing.
A lot of the other presentations focused on the technology (3D Printers, Cyber-Physical Systems, Internet of Things), so I wanted to look at the broader economic picture. I drew some inspiration from a recent interview with the French writer Jacques Attali, who predicted the crisis in the music industry.
“For Attali, music is not simply a reflection of culture, but a harbinger of change, an anticipatory abstraction of the shape of things to come.” (from a review of Attali’s 1985 book Noise)
Attali now says manufacturing will be hit by an identical crisis – this time caused by 3D printing. Apparently some spare parts have already started to appear on pirate websites. Thus instead of paying the manufacturer for a spare part, you might be able to download and print it yourself. Given that many manufacturers sell their products at low margin, in order to make money from spare parts and maintenance, this could seriously disrupt the economics of manufacturing.
By the way, making money from the consumable part of the product is a very old idea – business schools usually attribute the idea to Gillette’s strategy of giving away the razors in order to sell the blades, although Randy Picker argues that the history of Gillette’s innovation was a bit more complicated than the usual story.
There are two possible responses to this challenge. Firstly a shift from the cost of the fabrication to the cost of the materials. The materials used by 3D printers are very expensive compared with normal material. And secondly, designing the whole product to frustrate the use of generic spare parts.
We can see both of these tactics in the world of 2D printers. Printers for home use are really cheap, but the replacement ink cartridges cost almost as much as the printer. Printer ink is the most expensive liquid most people ever buy – much more expensive than good champagne. Or for that matter, human blood. (Not that I’ve ever needed to buy any, thank goodness.)
Which brings us to the second tactic. Yes you can refill ink cartridges or use generic replacements. But the printer can be equipped with software to detect and frustrate this, degrading its performance and efficiency when it detects a third party or refilled cartridge. As we discovered in the Volkswagen “defeat device” scandal, the embedded software in any product may be designed to serve the commercial interests of the manufacturer rather than the consumer.
Manufacturing is shifting away from products (including spare parts) and towards services. Instead of trying to sell you overpriced tyres, the car manufacturer must make sure that only its accredited partners have the software to balance the wheels properly. In other words, not just architecting the product or even the process, but architecting the whole ecosystem.
And of course, music the harbinger. Famous popstars used to do free concerts in order to sell more albums. Now they might as well give away the albums in order to sell more concert tickets.
But we’ve been here before. Attali makes the point that when musicians in the 18th Century – like the composer Handel – started selling tickets for concerts, rather than seeking royal patronage, they were breaking new economic ground. They were signalling the end of feudalism and the beginning of a new order of capitalism.
Related Posts
Defeating the Device Paradigm (October 2015)
Weaving in Three Dimensions (November 2015)
Right to Repair (March 2017)
Other Sources
Alex Hudson, Is digital piracy possible on any object? (BBC Click, 9 December 2013)
Randy Picker, Gillette’s Strange History with the Razor and Blade Strategy (HBR Sept 2010)
Sam York, The pop star and the prophet (BBC News Magazine, 17 September 2015)